How to speedflip: a step-by-step tutorial

A progressive execution tutorial from the first jump to landing, with isolated exercises and criteria for advancing.

Who is this page for?

This tutorial is for players ready to practice the sequence and looking for ordered execution steps rather than a general definition. The purpose is not to collect flashy moves. It is to build a readable, measurable skill that improves a real game situation. You will assemble the move only after validating each component, making corrections faster and reducing hidden compensation.

Use this page as a guided practice session. Before starting, keep a comfortable camera, choose a boost level that matches the situation, and plan short sets. Five observed attempts are worth more than fifty automatic repetitions. Name the main symptom—late timing, poor angle, lost control, or delayed reading—instead of deciding that the whole technique simply “does not work.”

Consistent learning follows a small loop: intention, execution, observation, correction. The blog provides wider decision-making ideas, while the guides explore individual skills. This page connects both. Every step explains what to train, how to judge it, and when the skill belongs in a match. Keep one variable stable while testing another so the result teaches you something.

1. Install a starting line

Choose a straight line and visible target. A stable reference immediately reveals whether the setup steers too far.

• Action A: align the car
• Action B: accelerate without turning
• Action C: add a tiny offset

Success marker: the setup opens the angle without creating a wide turn

Match transfer: keep the same reference throughout the session

2. Set the two-jump rhythm

Keep the first jump short and use the second press for the diagonal flip. Stable rhythm makes the cancel easier.

• Action A: perform ten double jumps
• Action B: reduce first-jump height
• Action C: add the diagonal on the second press

Success marker: the flip begins low and quickly

Match transfer: do not add the cancel while the rhythm varies greatly

3. Learn the cancel alone

Immediately after the diagonal flip, pull the stick down and hold. First stop the nose dive without lateral correction.

• Action A: exaggerate the speed of the pull
• Action B: hold the input
• Action C: compare early and late timing

Success marker: the nose stops descending shortly after activation

Match transfer: keep the timing that creates the most compact shape

4. Add the aerial adjustment

A small air-roll input places the wheels down. Too much correction turns the move into a fight against the setup.

• Action A: identify the raised side
• Action B: apply a brief correction
• Action C: release before contact

Success marker: all four wheels face the ground

Match transfer: reduce the adjustment as the initial input improves

5. Add useful boost

Add boost after the unboosted sequence exists. Keep thrust aligned and never use it to hide a slow setup.

• Action A: make three clean shapes without boost
• Action B: then hold boost
• Action C: compare both exit lines

Success marker: boost adds speed without changing the movement

Match transfer: release it when a tight turn follows

6. Assemble and validate

Combine setup, double jump, diagonal flip, cancel, adjustment, and landing into one repeatable rhythm.

• Action A: record ten attempts
• Action B: count straight exits
• Action C: append an action after landing

Success marker: seven of ten keep shape, line, and traction

Match transfer: only then introduce kickoff starts

Turn the steps into deliberate practice

Begin every block with five baseline attempts. Do not correct them yet; use them to see the skill you actually brought into the session. Pick one section above and write its success marker in your own words. Run two sets of five attempts, resting briefly between sets. During the rest, identify one cause, not five possible causes. Change only the input most closely connected to that cause.

Video is useful when the movement happens too quickly to feel accurately. Review at normal speed first, then slow down only the decisive moment. Look at the approach, first input, point of contact, boost use, and landing. Avoid judging a clip because it looks similar to a professional example. Judge whether it met the stated marker and left your car ready for the intended next action.

After an isolated success rate becomes stable, add one controlled variable: a different starting angle, less boost, a moving ball, a target zone, or a passive defender. Do not add every constraint at once. If quality collapses, return to the previous level for one set, recover the movement, and try the variation again. This is not moving backward; it protects the pattern you are trying to make reliable.

Build a weekly progression

Schedule three sessions of twenty to thirty minutes instead of one irregular marathon. Session one stabilizes the inputs without pressure. Session two changes the start, trajectory, or available boost. Session three searches for the same cue in free play, a private match, or low-pressure games. Keep at least one day without intensive mechanical work so fatigue does not become part of the technique.

At the end of each session, repeat the five baseline attempts under the original conditions. Count only attempts that genuinely meet the marker. A small, repeatable improvement matters more than one exceptional result. Record the most frequent failure and one adjustment for next time. This short record makes the following session start with evidence rather than mood.

When reviewing a match, inspect the decision before the controls. Were you close enough, correctly oriented, and entitled to commit? Then inspect the first touch, boost cost, landing, and time needed to rejoin play. This order prevents you from blaming mechanics for a positioning mistake. It also reveals when a simpler option would have produced a better outcome.

Mistakes in the learning process

Do not copy a professional player’s settings without testing them. Their hardware, grip, screen, comfort, and adaptation history are different. Do not change camera, sensitivity, bindings, and deadzone after one poor session. A new setup can feel faster simply because it is unfamiliar. Keep a written baseline and allow enough attempts for a fair comparison.

Speed is not the only quality measure. A slower execution that preserves a pass, landing, or defensive option can be better than a fast move that removes you from play. Likewise, do not repeat only an ideal setup. Match balls roll, bounce, arrive from the side, and sometimes make the correct choice an early cancellation. Mastery includes recognizing when not to use the technique.

Put the plan into practice

Choose the first section whose success marker still feels uncertain. Train it for ten focused minutes, save three attempts, and compare each result with that marker. To support the routine with practice and tracking tools, download the app. The download is an invitation to practice with structure, not a promise of automatic improvement; progress still comes from accurate repetitions, honest review, and match transfer.